Launching The Radical Housing Journal

I am so proud and energized by the launch of the Radical Housing Journal: a new, peer-reviewed, open-source publication that cuts across the academy and housing movements internationally.

Together with a feminist, anti-racist and horizontally organized collective made of 13 people (10 women, 3 men) scattered across the globe, we have been working very hard in the last three years to bring this project to fruition. Following the successful launch of our first issue at the 2019 AAG in Washington, we are now actively looking for high quality contributions to be published in 2020, addressing the root causes of housing injustice, its experiences and resistance.

The RHJ is a complex machine that aims to work for radical politics both within its own structuring and mechanisms of knowledge production, and through the support of direct actions in the realm of housing resistance.

Below, you can read the editorial that the RHJ Editorial Collective wrote to present the Journal to its readers, in issue 1.1. Issue 1.2 will be out in September.  To know more about how we work, feel free to visit our website: www.radicalhousingjournal.org.

Introducing the Radical Housing Journal

RHJ Editorial Collective
PUBLISHED IN ISSUE 1.1 // EDITORIALS

The idea for the Radical Housing Journal emerged in 2016 from few but passionate conversations in activist and scholarly spaces. From this, the idea developed at a dizzying speed, and the collective grew from two to five to 13 committed scholar-activists spread across the globe. Most of us did not know each other before joining the journal and many of us have never physically met. In under three years, we have set up an editorial collective, managed a complex web of tasks and projects (related to financing, web-site, and much more), received an overwhelming number of submissions, and are now proud to present our first issue.

The urgency of the project is obviously also a product and response to the level of mobilization around the fight for the right to housing and the city that has been taking place in recent years worldwide. Perhaps, the RHJ was, in a sense, bound to happen. This said, many of us have been involved in radical housing politics and politically engaged research before concepts such as gentrification became such hot topics. For a very long time we have lacked a genuinely open place to discuss housing as a practice in the making, as a space of contestation, and as a politics in its own regard, beyond the calculus of academic citations and the confinements of normative urban studies and housing theory. Crucially, we have lacked a space that scholars, scholar-activists, activists, artists and many more could use to debate ideas, advance knowledge, theory and practices around a radical approach to housing.

For us, that ‘radicality’ lies in how we approach housing as a fundamentally political question, inseparable from implicated, everyday practices of inhabiting space and challenging the forces that make the world unhomely and uninhabitable. It also lies in the journal’s capacity to be put to use by its makers and readers. It is a radicality that has its own political orientation – as clearly expressed in our Manifesto – which pivots around the following points.

First, for us, housing and home are unalienable under any circumstance. There is not much to add to this point; we believe that any form of forced eviction is wrong, and that any form of housing insecurity (as defined by the ones experiencing it) should be contested.

Second, we believe that given the complexity and the potentiality of housing to be absorbed into racial capitalism, thereby catalyzing many forms of exploitation, accumulation, imperialism, raciality, and annihilation – that we need to go beyond the analysis of what problems already exist. Rather, we underline the urgency in contributing to knowledge-sharing for transformation and housing justice. The RHJ wants to create a space that challenges the study of conditions and processes that render housing alienable, combining heterogeneous theoretical standpoints. We therefore welcome transdisciplinarity and transnational approaches to conceptualizing the structural aspects and everyday elements of housing, housing justice, and resistance. We also encourage different methodological approaches, and provide tools for radical epistemology that make use of these methods.

Third, the RHJ promotes a non-exploitative, anti-capitalist, ecologically oriented, antiracist, feminist, decolonial, and horizontal politics in its own structure and functioning. We are autonomous in our making, politics, and financing. Our two Collectives (Editorial and Extended) are horizontally structured and open for new members to join. Internally, these organizational orientations are not always straightforward, and create productive, ethical, and practical tensions that, we hope, result in a more inclusive publication.

The Journal was designed to welcome different kinds of content and elicit conversations across different domains of inquiry and action. The first two sections host substantive original works and are blind peer reviewed (by one academic oriented and one activist-based), while the latter two sections offer for a more “immediate” style (which is reviewed internally by the issues’ Editors). These are:

The long read / Focus on critical analysis and theory-making
For papers focused on theorizing housing resistance and activism worldwide. Papers aim for theoretical innovation and conceptual finesse driven by speculative, case-specific or comparative arguments.

Retrospectives / Focus on specific cases, histories, actions
For papers oriented at reconstructing, in detail, particular histories of movements, organisations and/or actions worldwide. Papers aim for historical rigour and depth.

Conversations / Reflections from the field of action and organisation
Pieces written collectively, to reflect on specific actions and strategies. We welcome reflections and debates on the challenges of particular organising approaches and practices.

Updates / Reviews, provocations, updates on actions
For reviews of books, films, art, and more; as well as updates on current actions.

Launching a new Journal has required more than two years of intensive collective labor and energies, but we are very proud of what we have set up. We aimed high and for the best quality. Of the more than 70 submission that we received for this first issue, we selected 15, which were then thoughtfully peer reviewed, editorially assessed, and accepted or rejected accordingly. A similarly rigorous editorial process was followed for Issue 1.2, ‘Interrogating Rent’, which we will publish in the Autumn.

This massive collective labor is what makes the RHJ; we want to treasure and nurture that collectivity. For this reason, we have designed the Journal with care towards future forms of collective ownership that can last beyond individual editors, and beyond the struggles presented in its pages. We have done so with an attention to the politics of publishing across the boundaries set by the Academy and across geographies. This is a Journal that is designed to host and to foster intellectual and action-oriented debates around radical housing with an attention to geographic specificities and an orientation to experimental and productive comparisons. We want for it to be our sparkling and shining home. And we want this home to be radically open, which we understand in two key ways. First, all content published in the RHJ is open access and will stay so, against the logics of enclosure of much academic publishing, where significant knowledge remains trapped behind paywalls. Second, we want to keep the RHJ open by valuing the work that goes into thinking, researching and writing about and from housing struggles.

Crucially, the RHJ aspires to build a system of self-financing that sustains its independent, radical politics both internally and externally, and offers a small compensation to its writers. Please join our fundraising campaign by donating, if you can, or help by spreading the campaign around.

If you see yourself in our Manifesto, then do get in touch. We await hearing from you and working with you, wherever you are. Our open call for papers for subsequent issues are now live here. Feel free to submit papers and ideas, and please do get in touch about anything else (also about joining our Collective, or becoming a RHJ reviewer) using our contact page, or drop us a line at collective@radicalhousingjournal.org. And, don’t forget to follow us on twitter @Radical_Housing.

We hope that you will enjoy and join this radical endeavour as readers and critical interlocutors, beginning with our Issue 1.1: ‘Post-2008’ as a field of action and inquiry in uneven housing justice struggles. Our second Issue (1.2) ‘Interrogating Rent: structures, struggles and subjectivities’ is well into production and will be published in September 2019.

In Solidarity,

The RHJ Editorial Collective

Erin, Mara, Mel, Meli and Michele

Horizontal solidarities: Screening and debate at the Casalboccone squat (Rome)

Yesterday in Rome at the Casal Boccone Occupato resiste e insiste squat we had a powerful exchange Romania-Italy on racism, evictions and housing justice.

We screened A Inceput Ploaia and then had a debate with the comrades of Blocchi Precari Metropolitani, the Comitato Case Popolari Tufello, occupanti di Colle Salario and Metropoliz Lab.

The Frontul Comun pentru Dreptul la Locuire was represented by myself and Nicoleta (from the Vulturilor 50 community), who chatted with us via messenger, answering questions from the comrades of Rome and invited all to continue to resist and fight for the right to housing and the city. Mady Gavrilescu was there and we expressed our solidarity for her fight #DajeMada

It was a powerful exchange, which I hope it is going to be just the start of a series of collaborations and common fights. These spaces of encounter are possible only via mixing academic and activist work in ways that are not dictated by the scholars involved, but are aligned with the grassroot politics at play in the context of action.

Thanks Mady Gavrilescu for the hospitality and Margherita Grazioli for organizing!

Interview-Podcast for the Relational Poverty Network

 

The Relational Poverty Network is a USA-based but internationally driven ensemble, which convenes a community of scholars to develop conceptual frameworks, research methodologies, and pedagogies for the study of relational poverty. It is a project inspired and managed by Vicky Lawson and Sarah Elwood, two scholars who have done much to help us rethinking poverty and care.

I’ve joined the RPN a few years back and they always have been incredibly generous to me, firstly promoting my documentary film and now inviting me to their fantastic series of podcast on ‘New Poverty Politics‘. The series includes some of the most exciting researchers, activists and practitioners working around poverty politics in the USA and beyond.

In ‘On Collaborative Art Praxis to Challenge Homelessness‘, Rhoda Rosen (School of the Art Institute in Chicago), Billy McGuinness (Museum of Contemporary Art Chicago) and myself have a conversation on challenging communities to engage homelessness through collaborative art praxis. You can read the transcript below and access the podcast here.

 

New Poverty Politics for Changing Times:
What Emerging Nationalist Populisms Mean for Poverty and Inequality
A project of the Relational Poverty Network

A conversation between Michele Lancione (University of Sheffield), Rhoda Rosen (School of the Art Institute in Chicago) and Billy McGuinness (Museum of Contemporary Art Chicago)

 

Rhoda Rosen: Hi, I’m Rhoda Rosen.

Billy McGuinness: And I’m Billy McGuinness.

Rhoda: And together we’re co-founders and co-directors of an organization, or we should say an artist collaborative, called Red Line Service. Red Line Service is the name of a train line in Chicago where many people find themselves sleeping overnight in this provisional space for want of appropriate, affordable housing in the City. On one hand, we chose the name because our first artistic interventions as an artist/curator team were with people with a lived experience of homelessness on the train platforms of this train line. But, we also wanted to complicate the term “service”, which implies a yucky hierarchical relationship of people with means and people “in-need” rather than a mutual recognition of humanity, which is what our art project aims to create and model. [as well as an artist collaborative???….]

Michele: So my name is Michele Lancione. I am essentially an urban ethnographer. I do most of my research in relation to homelessness and in relation also to evictions. Recently I have been working around evictions affecting Roma people in Bucharest, Romania.

So probably we can start with the first question and I can ask you, Rhoda and Billy, to tell me something about: what are priority research topics on impoverishment in this moment, accordingly to you and your experience?

Billy: Well it’s a conversation we’ve been having over several years, I think. While Rhoda and I might each describe it differently, for us, we understand research to be a mode of action in the world: a way of relating to people, a way of working with people. And we also understand the work that we do to be a research practice, first and foremost. But it’s a research that is founded on direct interaction with the situation that we’re trying to learn something about, as opposed to pure observation.

Rhoda: Or as opposed to coming in with knowledge, we really see ourselves as in an unfinished, incomplete, and ongoing process of learning. And that for us is really important because every event or interaction we have, or community we engage with and build, and participate in co-building, we learn more and more. So our research is really active and always in process. And for us that’s how art is. So it’s something we can bring because we’re navigating through spaces all the time; we feel that the not-for-profit spaces, or pure academic spaces, can’t really bring that piece to the table.

Michele: This is very beautiful what you are saying. It’s actually – although I’m not an artist, I wouldn’t describe myself as such – it’s actually very close to the kind of understanding that I have of academic research and engagement. And I would say, at large, it’s my definition of being an intellectual. So you do things because you are part of those things and you change in the process of doing them. And in the process of doing research with vulnerable communities, in a sense, you are not trying to – or at least I’m not trying to describe them or to rise above them, but also always trying to do something that is empowering for both. So I think it’s very close to what you are saying. And I do agree that academic spaces, conventional academic spaces, are not ready, are not perfect; and they don’t really allow for that kind of encounter. So I think that creative methodologies and community-based activities are better in that regard. They allow for a better encounter to take place with people. Yeah.

Billy: Well it’s really refreshing that you understand us as well as you do, and that you share some of our values and approaches. Because, while I think there are people who are sympathetic and supportive of our way of working, and the people that know our project well are very enthusiastic, sometimes we feel like we’re all alone in this thing [laughs]. In prioritizing direct interaction with other human beings, sometimes people look askance at us and our approaches as being somewhat unconventional!

Rhoda: Mhm. And, you know, when you’re doing it as an art project, the frame is around something that’s happening in real life, right? The frame is really around an experience and that has been a challenge to communicate to, particularly, not-for-profit direct service organizations who are at the coalface, right? They are right there giving the person the shelter when they need it, or giving them the meal when they need it. But, they almost entrench a power hierarchy, rather than coming to the person on the level of equality and the desire to be open and to change yourself, as you said, which is critical to us. And, also they come, I think, with this understanding that the thing they are helping, homelessness, is more of a trait than an experience – a momentary, current experience. And so we really try to break open everyone’s possibilities – ours and the people experiencing homelessness. We try to help ourselves and others to reimagine our personal possibilities. And so, in that sense, it’s really a kind of re-centering of the voices of poverty

Michele: Well I think I’m going to quote what you just said. Yeah, “re-centering the voices of poverty,” it’s a beautiful way of putting it. And actually, what you said, both of you, it reminds me of the parallels that there are between, let’s take your example, not-for-profit organizations and their way of dealing with homeless people, or other vulnerable communities, and what the university does to us. Because, in a sense, these are both institutions. So they have, you know, clear mandates and, as you said, they are hierarchical. And they don’t allow, you know, for a true encounter with their constituencies, somehow. And I think that, yes, experimentation with creative writing or filmmaking can allow to disrupt some of these spaces and can allow to create new spaces in the in-between, no?

And this is what I tried to do. And I sense that it’s the same thing that you try to do. And it’s always a challenge, as you said. Because when you have your colleagues, your academic colleagues or maybe also within the artist community, looking at you as a foreigner, no? As a foreign element within their space. So there is a double challenge: there is the challenge of having to deal with an institution that is not designed to give you that space, and then also to deal with colleagues that do not recognize that what you are trying to do is still part of the intellectual labor that we are supposed to do as artists, intellectuals, and academics.

Billy: Yeah I love what you said and I think that the flipside of that liability, the liability of being a part of the system which we’re trying to change, is that when we do go into a community, or have an interaction with a population of people, our approach is so different than the institutions they’ve been working with. Precisely because we are a foreign agent in this otherwise understood order of things. We come along and we try to remove hierarchy as a first step before we’ve even walked into the room. And so, you know, I’m fresh from a conversation with a friend of ours that we’ve met through this work from a few weeks ago, who said, “when I met you and Rhoda, it was the first time since I became homeless that anyone didn’t treat me like a second class citizen. I walked in and I felt like an equal, and right away I said, ‘oh well this is different. These people are different.’ And that was what kept me coming back and wanting to have the experience with you.”

Rhoda: So I want to just say that I love what both of you are saying. And thank you so much, Michele, for bringing back the institution. I don’t disagree with the points you are making – you were speaking about it as an academic space not designed for experience. What I’ve also realized is that we have to bring our work to campus, because we also all teach, right? So we teach this kind of socially engaged art practice to students, and work with them on our projects, and with communities. And so we also have to remember that what’s happening in the outside world isn’t distinct from what’s happening on campus and to teach them engaged learning.

Additionally, we have sat in class and a student has said, “I was homeless for this many months or years or whatever.” And we’ve been to presentations in museums where a student came to us crying, saying, “thank you so much for speaking about this; my family” – in the suburbs, this was – “ we slept in the car for two years.” So remembering to know that our campuses are not ivory towers, there are people in the food pantries and in shelters who we deal with everyday on our campuses – and we have to make our classrooms also spaces where we can have those conversations .

And then, you know, to Billy’s point, I love that you brought that idea back too – that we are foreign agents within institutions: it’s not just a hierarchy that excludes a set of ideas. These experiences of poverty are within our campuses too. And when we forget that and assume a kind of privilege for all, that can be very difficult.

Billy: Yeah. I’m also just thinking of the experience, just going off of what Rhoda just said, you know, we had an event yesterday. One of the participants in our program is a PhD candidate who is getting his doctorate in Social Work, and he’s been participating in our program as a way to study and inform his research. And in yesterday’s event, he was just devastated at the end of it, in a good way. He was so moved; he was so challenged; he was so opened up by the experience – and you know he was really surprised by that, it really caught him off guard. And, of course, for us, it’s a bit like, “welcome to the party, man! We’ve been waiting for you to show up and realize what this work is actually about, and how deep it goes.” And the context of his revelation was a museum of African-American history in Chicago. And he’s African-American. And so we talked a little bit about how uncomfortable the space is, necessarily uncomfortable, when we’re having the most important conversations, the conversations that get at past trauma, whether that be on a personal level or a societal level or a global level – those things we’d rather not talk about. If we don’t create a safe space for that awkwardness, then we can’t look at those problems with any kind of honesty and we can’t effectively work to change the situation. And so for him to come, you know, at an advanced moment in his research, and just begin to learn.

Michele: This is, yeah, it’s very powerful. I think actually what we are saying, what you just said, Billy, it’s a possible answer to the second question that they posed us, which is: who should poverty researchers be collaborating with, and also how?

I mean essentially is very beautiful that we have this in common, although we we don’t know each other, is that to create the possibility of collaboration both the researcher and the community, or the people we are dealing with, needs to go outside of their comfort zones. So they really need to do what you just said, Billy, just like moving away from the comfort of what we know, and from the comfort of our established categories, and try to have a conversation from that discomfort. So, in a sense, the discomfort becomes the first step in order to be able to have the encounter that we were kind of evoking before. And I insist on this notion of the encounter, mostly because I am an ethnographer. And I think that before the “graphy” part of ethnography, which is the representation – and that representation can be done in academic form, but also in creative different ways, in artistic forms. Before that “graphy,” the “ethno” part is fundamental: which is exactly the encounter, the getting to know the other. And that encounter is possible only through that initial discomfort.

And also the discomfort, though, if you want, the conversation through Skype through different time zones, and so on and so forth. I don’t know you, I don’t know your faces, there is an initial discomfort. But still, it’s productive, it allows us to become closer. So I’m really enjoying this.

Billy: Yeah, that’s great. We feel the same way. I love that, yeah, the importance of the encounter -– and the crucial nature of the discomfort as a necessary first part of the process.

Rhoda: And maybe the end. I mean, I don’t know about the end point, but maybe the next step is, of course, the reciprocity. So when I think of old fashioned ethnography and what this person, this researcher, actually brought to us was “oh, I can’t participate, I’m here to observe.” But, in fact, that’s why it took him so long! Because as soon as he reached that discomfort and that openness, when he had the rug pulled out from under him, then the moment of an authentic relationship with people, with others – a reciprocal, rather than hierarchical, relationship with others was possible.

Michele: Yeah. I think that everything we are saying points to the next question that they are suggesting for us to tackle, which is: what are priority actions we should be taking to resist exclusionary trends? So we live in different contexts, and maybe you want to say something about a possible answer to this question in relation to your context? I mean the U.S., and Chicago, in particular?

Billy: It’s such a rich question. And of course I immediately think about – when I think about exclusionary trends, I think about equal and opposite trends moving in the other direction, right? And I’m answering really only for myself to say that I think insisting on – and I’ll use Rhoda’s language because I think she says this – “radical inclusivity” in our approach is a very direct and honest rebuttal of exclusionary trends that we’re seeing. To put inclusivity, a genuine inclusivity, at the front of the conversation. But I think to constantly challenge ourselves when we think we’re being inclusive to know that we’re not. To know that we can always open that door wider, expand that conversation further.

Michele: And for you, Rhoda, it’s the same, I guess? Or…?

Rhoda: Well, you know, Billy said that so beautifully and smoothly. It seems so simple to open a door, but it can be challenging! You know, we encounter a lot of mental illness on the streets. To back up to your point about Chicago: Chicago is a wealthy, yet bankrupt city sitting in the middle of a bankrupt state, not that this excuses closing mental institutions, rather than ending the corruption – but they have closed most of the state facilities and those people have been delivered to the streets. Our prison system, which Billy can speak more to, our Cook County Jail, is the largest mental health facility in the world.

Billy: And in fact, the three largest mental health facilities in the United States are all city jails: in New York, Los Angeles, and Chicago.

Rhoda: Right. And so we see the impact of those – of not just gentrification, not just the redlining that took place to ensure that Black families in the 60s and 70s wouldn’t be able to buy homes and keep them. The forced gentrification – as the city moves south and west into what were historically African-American areas, and watching people having to leave those. Automation, as well – you know, all of the contemporary things we see globally are being played out in a very heightened way in Chicago. And so, we plop down in the middle of that and say, “you know what? There are solutions, whether that’s housing first or paying people a living wage, and we’re just going to enact those as our art practice.” It’s that simple. And if two of us can do it, how much more if, as Billy likes to say, plumbers start caring or nurses start caring, or art historians start caring together, how might we enact real change.

Michele: Wow, this is very informative for me, that I don’t live in that context. There is one of the examples that you just made, Rhoda, which is housing first. I’ve been working a little bit on that in Italy, in ways. And there is one thing that has always struck me about housing first, is that: it doesn’t really require a huge economic investment. It doesn’t really require a huge managerial investment. What it really requires, the fundamental requirement – I don’t know if you agree with this – is a cultural change in the way you look at homelessness, no? So instead of looking at people from the point of view that they are not ready for it, you just look at them like, of course they are ready for it, no?

But this is such a big change. And I think that one of the ways – just to link my answer to the question – one of the ways to resist excusing these trends, from my point of view, from the work I do as an academic, is just to try to push these kind of radical agendas and policies in a very provocative way. I mean, in a sense, I tell my students, “just stop doing literature reviews.” I mean, of course, you need the literature review, but “start to think about what you are studying in a critical way, and also in a radical way.” And when I say “radical” I mean something that can be made active in the world, that is actually enabled by people in a sense.

So, in a sense, I mean a very stupid way of answering this question is that exclusionary trends, in a sense, can be resisted only by constructing non-exclusionary trends. And you construct non-exclusionary trends, as being an academic, just concerning yourself with constructing ways of making theory and policy radical: action enabled by people. You know, something that can be used by communities. Yeah, and everything you said, I mean, the scale is different, the context is different, the history is different – but many of the issues that both of you highlighted are very much present in the UK as well. And I think we can tackle them. We can try to find solutions to them only if we start to think critically at the jobs that we do; just don’t take things for granted. And as academics I think we have a big challenge, again, because the institutional tells you essentially, you know, to take things for granted – because you have to comply with the metrics, and you have to write papers, and be ranked. OK, now I’m just starting to, you know, babbling about everything, but yeah.

Billy: It’s very important what you’re saying! And I think that, you know, where you have those people who march in the street and yell about keeping out foreigners, you have the very easy target, right? OK, this is the opposition; these are the people whose minds we have to change. But, in fact, the grossness of their approach makes them easy to identify. The harder to identify exclusionary trend is the one that is unspoken and that lurks inside the most progressive institution, the most progressive work environment. You’ll find that little thread of, “yes, we’re lifting the masses but only to the bottoms of our feet and no further because we like our position here.” And so whether that’s the academy, or whether that’s, you know, a not-for-profit system that lives on charity from the for-profit system, or wherever you look, you can find that. Which is not to say people aren’t well intentioned. On the contrary, they’re incredibly well intentioned.

So the same admonition that you give your students about actionable approaches in the world that are radical in their actionability, that same shift in perspective that you’re working with your students to create in the context wherein you work, is applicable at a dinner table with your spouse and your extended family, is applicable in the classroom, on the street – everywhere we go. And it can be confrontational without being aggressive or assaultive. You can simply plant a new perspective in the conversation that requires a response. Even if it’s not a spoken response at that moment – something someone can take away and chew on for a while and say, “hmm, I’ve got something to think about.”

Michele: Absolutely.

Rhoda: Mhm. And I kind of just want to name ¬– I think I want to name the thing that we’re talking about when we say that we want to be inclusionary in a radical and authentic way. And I think it’s about this issue that you raised, Michele, about people assumed to be coming with deficits rather than coming with assets, right? And if you assume that people come with assets then, number one, they’re welcome. But what you’re really talking about is that you recognize – because I think that’s a really important word, to recognize – another’s dignity, that is inherent. And if we were to put our finger – and I’m speaking for you too, Billy – that if we were to put our finger on what we believe about every person who we encounter – it’s that we’re recognizing their dignity and we’re, in turn, recognizing our own dignity.

Billy: Yeah. I would take out the word “dignity” and replace it with the word “humanity.”

Rhoda: I like that. [all laugh]. I agree.

Bill: I think that’s the approach.

Rhoda: Right. Because dignity is filled with historical baggage, right?

Bill: Yeah, it’s got some baggage we don’t want to carry.

Rhoda: But it’s recognizing the humanity of a person, and in turn, our own humanity which is often lost when thinking about meeting people on equal footing.

Bill: Right.

Michele: Yeah. I agree with what you said, replacing with humanity. And I think, in the end it requires just training ourselves to it, in a sense, no? Because, I mean, what we’re talking about is also about empathy. To be humane with somebody else, I think, it means to understand where they come from. And that understanding requires an empathy that can be fostered, can be trained. So, in a sense, being attentive to what other people have to say and how they behave can be learned. It’s not something that we are born with necessarily. And I think it can be born, and to a certain extent it can be taught. So I don’t if you agree with this, but I think maybe one the priorities for critical poverty studies, just to connect to the last question, is probably: find a way to let people feel, more than understand, that empathy is necessary and it’s a prerequisite, probably, of action.

Billy: Well I love that you said that, “I don’t know if you agree with me.” I think that if I didn’t agree that empathy could be learned, it would be very hard to do this work [laughs]. Because I’m trying to learn it myself through this work. Yeah, that’s right, I believe we can learn it. Sorry, I got lost as you mentioned the last question – I had a response that was specific to that, but I guess I’m just really hung up on this idea that we have to be able to learn empathy. We have to be able to learn how to listen to one another, how to be with one another.

Michele: I’m curious to hear your response to the last question then, Billy.

Rhoda: Can you repeat the words.

Billy: Yeah, what was it?

Michele: I said I’m just curious to hear the response that you had for the last question, Billy.

Bill: Can you say that last question again? I don’t have it in front of me.

Michele: Oh sorry, sorry. It’s what are priority keywords for critical poverty studies in this moment?

Bill: I think “shared humanity” might be a good place to start as a keyword, sort of recognizing and participating in shared humanity.

Michele: And for you, Rhoda, it’s the same?

Rhoda: Mhm, mhm.

Michele: Yeah, it’s a difficult question. I find myself a bit lost when it comes to keywords. I kind of don’t know how to deal with them. So probably I would say something that was said before, like “empathy”, “radical action.” And maybe I would add to this becoming a little bit slower. Like “to be slow.” It’s another thing that I throw into the pot, because I am trying to learn that. To just try to slow down, and in a sense, by slowing down, allowing for that empathy to emerge. And maybe for reasons, nowadays, for me to enter into that discomfort, the discomfort zone we were talking about in the beginning, to enter into that zone I need to slow down. Because I am going so fast and doing so many things, like you, I guess. So, in a sense, slowing down may be another keyword – just trying to take time to listen.

Billy: Yeah. That’s right on. And something that I guess that occurred to me earlier, when I read through the questions, was something that we picked up from one of our friends in one of our programs. He said he didn’t like to think of himself as homeless; he preferred to use the term “in transition.” And that really struck a chord with us. And we started using it as the preferred term for anyone experiencing homelessness. And people in our circle caught on and started using that term; they referred to people in housing transition, people in transition. And maybe a year later I was with this man again and I said: “by the way, that word that you use, “in transition,” is that common among people who are experiencing homelessness, or is that just your word?” And he said, “oh that’s just my word; that’s just the word that I like.” I said, “well we’ve been spreading it around” [laughs]. But I love that word to be something that we recognize going into any situation – that it is a situation in transition, whether that’s a personal situation or a societal one; it’s always in transition.

And so we approach, as you say, slowly, deliberately, with our eyes wide open, with our ears open, hopefully – with the understanding that what we’re looking at is changing right before our very eyes through contact with us and countless other factors.

Rhoda: I like this. We’ve got: slow pace, shared humanity, empathy, assets rather than deficits. I love the active research.

Billy: And flux, a sense of flux.

Rhoda: A sense of flux. Authentic encounters, authentic relationships, maybe. We also talk about sometimes, in fact we’ve named a program something around, “disrupting the narrative.” It’s another way of saying that we’re determined to break what people think of as poverty. And, yeah, the expertise – maybe another thing is “changing the expertise.” People come with so much of that that we can’t hear if we lead with our assumptions.

Michele: Absolutely, I couldn’t agree more with the changing the expertise – starting with the academic expertise, and then of course going into the practicioning world. Yeah, changing the expertise, it’s fundamental. It’s actually, again, related to homelessness; it’s the key to change the way in which practitioners, or the media, day to day man on the street deals with homelessness.

Yeah I really enjoyed having this conversation. I just hope that sooner or later we will meet. When I come next to the US I will let you know, and I hope that you’ll do the same if you happen to come to the UK.

Rhoda: Great, yeah.

Billy: We will certainly be in touch about that. It would be wonderful to meet you into a person.

Michele: Yeah, the same. OK so we did it, apparently!

Bill: Wonderful! And it’s just 40 minutes since we started the call. [all laugh]

Michele: Exactly. So it means that we really liked it.

Rhoda: Right! Thank you so much, Michele.

Michele: No, thank you both, really. Thank you. Thank you very much. Have a nice day. Bye.

Rhoda and Billy: Bye.

Interview on ‘homing’ and radical research practice

I was recently interviewed by Milena Belloni for the ‘HOMING‘ project run by Paolo Boccagni. In the interview we discuss homelessness, home, and radical research practice. You can read the interview at this website or below.

Interview Michele Lancione (Trento, 25th September 2018)

Milena: What does home mean to you, to your work and to your disciplinary approach?

Michele: Home is where everything starts. We have “the homeless” because our idea of home includes the possibility of being without home: you can be at home but you can also loose that home. That is what interests me about “home”. It’s impossibility. Even if home is the place where you belong, and where you have a nice life, there is always the potential to lose that. This complexity, this conundrum, is the whole point. Home is never something that is safe, that is neat and clean. It is always something that is contested within and outside; something that is lost and re-appropriated.

Milena: While you were talking I was thinking…does the condition of homelessness exist? If we think that we are never completely at home we are also never completely without home. How would you

Michele: That is very interesting. In something I recently wrote I said that homelessness does not exist. What I try to argue is that one can also be homeless at home. Even if you live on the street you have a lot of relationships of affection and care that you consider being part of home. At the same time you can be homeless even if you have a conventional home, as the threat of losing it is always there. Your house can be appropriated by a bank, your love relationship can end. Thus, you can have belonging and safety on the street, in a camp and when you have a real house you can experience the precarity of being homeless. I find very useful a concept developed by Katherine Brickell, a British geographer. She speaks of home making and home unmaking: a continuum, a conundrum.

Milena: Could you give us some ethnographic example of homing and unhoming?

Michele: There is a lot of work on violence, domestic violence, patriarchy, which shows how you can be at home while not feeling at home. My work however is about the opposite: how can people who do not have at home feel at-home? I worked with drug users and homeless people living underground in the canal in front of the main train station in Bucharest. This story is widely known as it has been extensively portrayed by the media and academic world. The standard message you can get out of these portrayals is that these people are resilient. But when you live with them you realise that there is much more to it. People living underground have a community, are not just ‘resilient’. They make life: they do not just ‘get going’, or ‘survive’. This is a life characterised by caring relationships and by an economy – monetary and affective – to support the underground; in fact, in a way this economy is not so different from what you have above ground. Certainly it is a weird arrangement for many reasons. But it works. And when they were eventually evicted from the underground by Romanian authorities, those people were not able to replicate their life outside. Many got jailed, others dispersed. They lost the capacity to be alive, to construct their ‘weird life’… Many died. This is the result of the rejection by the institutions of the possibility of life underground. The institution – that is, the institutional accepted norm – rejected the possibility that you can function even if you are junky and you live underground. The point here is not arguing that homeless people should be maintained in the underground, but that we need a politics able to appreciate first, and embrace second, the proposition of life underground: a lively arrangement was created down there, which does not work (it stops to live) when it is captured into normative understandings of home, of belonging and of acceptability.

Milena: Is there an alternative to keeping them underground and also to the forcing them into shelters which they do not perceive as safe?

Michele: Yes, I think there is. Policies of harm reduction would be important in these contexts. Tthis means that I am not trying to stop you from using drugs, or to destroy your community, to institutionalise you. All I am doing – as the authority – it is to make sure that you are not harming others and yourself, by giving you cleaning syringes and providing you with medical assistance. Life underground is very hard, often without heating, without electricity. But we can reduce the harm of that life in there – or in other similar context – without destroying them. Their relations, their belonging, their care and their economy could be maintained through ‘soft’ interventions, which would not rob vulnerable communities of their capacity of being together. Of being close to each other… Evicting and imprisoning and controlling castrate that opportunity: it silences it.

Milena: What are the most relevant empirical and methodological challenges that you identify in researching home and migration?

Michele: Maybe not about migration so much, as it is not something that I have been looking at. In relation of home, the biggest challenge for me in the last years is how to make research in a way that is meaningful for the people you are researching. I mean it in a profound way. Not simply in terms of co-production of the research goal. But in terms of constituting a shared political ground where the research becomes just a tool amongst other to intervene on the social. This is not per se a methodological challenge but rather an ethical issue…it becomes methodological though. Because you can say from ethical point of view that you want to coproduce the research with your research participants and stuff like that, but then, how do you do it, really? Can a research be co-produced, if sometime (actually, the vast majority of times) is not research what is needed? The first concern of the person in front of you is not to answer your questions, is actually to change the clothes of her child because she needs to go to school. The challenge thereofre is to displace our own research priorities and carefully think about the encounter. For that you need to be humble and realise that for a while you may not do your research because at that point it is more important for the relationships that you are having to engage in forms of collective solidarity and help. We should allocate time in our project to do that kind of work. If that time is not there, then the project is always going to be one-way. Always ‘extractive’, no matter what. If, on the contrary, you are able to meet the other in a meaningful way – keeping in mind all structural power unbalances –  then not only you will establish a meaningful relationship but also your research priorities will change. Here the point is to be open to change. If you start with one idea you should never be able to finish with that same idea, that same project, that same proposition. Actually I think that you get stuck with an idea and you try to enforce that idea on your fieldwork then there is something wrong about your fieldwork.  If you do ethnography in the right way – the crisscrossed way, the minor way – then you will see that people will take you somewhere else. They do. They always do! It’s a big challenge because at the end of the day you also need to give something back to those who have funded the project. But with experience you know how to deal with these issues. The most important thing for me is to follow the fieldwork, not to please the founder or the institutional arrangement.

And then, of course, there is also an added element of complexity. The representation of the encounter. How do you represent this encounter is a way that is truthful to its complexity and meaningful for you and for those you have worked with? The key question is how can they appropriate and use that representation that you create thought your work with them. Here there is a slight difference between giving something back and working toward something that can be appropriated, modified, trashed, changed, used again. Giving something back is a photo voice exhibition. I am thriving for something more radical. Let’s try to find something that is open enough so that once you are not there anymore, communities can see value in it, use it, dismantle it, reassemble. I think that if you want to be a good ethnographer you should at least try to orient your work in that direction.

Milena: Can you give us some example?

Michele: My PhD research was done at Durham, UK, with a fieldwork around homelessness in Turin, Italy. The dilemma was I wanted “to give something back” to my interlocutors, but my PhD was in English. I needed something in Italian and accessible. So I came up with this idea of writing a novel, an ethnographic novel, and to make it as collaborative as possible. I was giving my writings to the homeless men I was working with. These notes and accounts where about their life, and life on the street in Turin. They were giving me feedback and time after time I constructed this book, ‘Il Numero 1’, which is actually a composite book. There is an introduction by one of my homeless friends, there is an ethnographic novel, and then there is a political essay at the end. There are also 22 illustrations in the book by Eleonora Mignoli. We published the book and then we presented it in Turin with my homeless friends and so on. The book was published by an anarchist press and it still travels, but I was never able to continue the engagement on the ground, in Turin. So in a sense it was helpful to ‘give something back’ but not successful in constructing, on in working with, a radical solidarity.

A second example, this time in Romania. I encountered this community of evicted Roma people and I started to work with them as an activist, because my research was with the drug users. Just to keep it short, there were a number of collective actions and involvements, mosty through a group of which I am now part, called the Common Front For the Right to Housing. Protests, petitions, solidarity on the street and more. Including a blog that I’ve set up, where Nicoleta, a powerful woman from the community, explained why they decided to occupy the pavements in front of their home for almost 2 years, to protest against the eviction and fight for their right to housing. During my involvement with the community I also made a lot of videos – interviews and everyday life –  and at the end we decided that there was scope to assemble this material into a documentary. 72 minutes telling a story of racialized dispossession, post-socialist housing privatization and the making of resistance. The interesting thing about this documentary is the following. It did not stop there – as an on-line thing for academics or film-makers. In the past two years we (as FCDL) are using that documentary to do workshops with communities who are facing eviction or experienced it, and we are also presenting it in a number of context where evictions are lived and felt (like squats). We did this in a number of spaces across Europe, including squats in Rome (like Metropoliz). The documentary becomes an excuse to sit together, get inspired and discuss about common struggles. It is not just a film, but an excuse to create solidarity.

Milena: So the difference between your first work and your last documentary is that the first one could not be appropriated but the second one instead is becoming a tool for political actions.

Michele: It can be used by others. The novel is a finished product. It is there. You can buy and that is it. Why the documentary is a moment in a series of things. First the blog then the documentary then with Nicoletta we are now writing a book: all things that are part of a collective process, occupied by different people at different times, but alive and kicking. For the book we just got an award by an American foundation, Antipode (eg. The Scholar-Activist Award). The “Diary of resistance” by Nicoletta will be in Romanian but we will also translate it into English, to continue to travel and create trans-national solidarities. It is a continuum of projects which are not necessarily academic but they speak to the public that you are working with. And the reason why I am able to do all this it is because I am collaborating with people who are doing what they are doing. They have their hand into life and they keep those tight in there! It is really on the same level. When I did the first cut of my movie, they destroyed it. I showed them and they said “change everything”. But that is fine, it couldn’t be otherwise. It is because of Veda, Iox, Misa, Carolina, Nico and many others that this thing is possible and research becomes just my way to get into the flux. They have theirs. What we share is the politics, the orientation.

Milena: Our project is framed around processes of home-making in relation to contemporary migrant trajectories. What do you think this approach can add to the field of migration and home studies?

Michele: I am not entirely familiar with migrant studies. But I know the work of Paolo and his papers. I think that what you are trying to do is super-important and meaningful because you are trying to add complexity to the idea of migration as a set of issues that is not completely detached from home. You are saying there is a continuity between losing your home and finding, or not finding, another home. The matter is the struggle that comes to the fore in this process. The complexity is what I like about the project. The cost is that you are not going to provide an easy answer. It is not going to provide one theory that explains everything and this is the real contribution if the project: to do not reduce things to neat structure, to a fix picture.

Milena: What kind of strategies would you suggest for studying home-making practices, considering that privacy is sensitive point? How did you deal with that gesture of censorship, which came from the mouth of those you were giving voice to in your writing? Do you think that some of our ethnography on the nexus home-migration might stir similar rejection from our research participants, either during fieldwork or at the time of results publication?

Michele: It depends on how you do the research. Of course people may say something to you in an interview after signing a consent forma and after they may be pissed off about the way you represent that thing. Here again I think that ethnography can do something that another epistemologies are not able to do. If you are serious about the encounter it means that you are leaving the window open to dialogue and that implies the possibility of disappointing people and of getting criticised, attacked and rejected. That’s all fine and healthy. When I published the novel on homeless people in Turin, there was this homeless woman that posted on my Facebook wall that she did not feel represented. I knew this was going to happen as I knew that I did not represent women enough. I told her. You are right. We just had a conversation, the problem was not gone. That woman is still not represented. But thanks to that encounter and confrontation I learned a lot about the limits and nuances of my research. And I know that she got something out of that too. The trick in here is to understand that the writing is not the final thing in your project: it is just the part of long term relationship that you are entering with the community you work with. To do ethnography means to continue having relationships with the people you are working with and those are sometime just too much to bear, but that’s the way it is. Relationships affects you and you affect them through what you do, what you write, and that has its onw life that intersect with yours, and keep on intersecting…

Milena: Do you still have relationship with all the people you worked with? In terms of personal engagement. You cannot become friends with everyone. You don’t like everyone…

Michele: I don t meant that we have to become friends with everyone, but that through a careful ethnography you are able to establish relationships that are open to dialogue, even to confrontation, even with the ones you don’t like. That is the beauty of it. It is not about surrounding yourself only with the one you like, but using the ethnography (and the engaged political orientation of which I’ve said) to funnel life, to let it emerge and pass through (through you, your writings, and collective endeavours). This, again, is not about having to come to an agreement with everyone. There is a lot of productive energy into having disagreement and conflict, as much as there is into agreeing and hugging. In my work I just try to create the conditions for these things to come through, and to stay true, in order to fight against discrimination and institutional normativity. It’s still a work in progress.

Thank you!

Publications: www.michelelancione.eu

Documentary film: www.ainceputploaia.com

Getting Rid of Home (Essay for Y-Saatio)

This is a short essay that I have written for the volume Homelessness in 2030. Essays on possible futures, edited by Johanna Lassy and Saija Turunen, for the Y-Foundation (one of the key national developers of the Housing First principle in Finland). It is a provocation in and around ‘homelessness’ and the politics of ‘home’ that makes it possible. The full book is available for free at this page, while my contribution can also be downloaded here (and my academic research on this topic is mostly available here).

 

Getting Rid of Home

I cannot think of homelessness in 2030; of strategies and interventions; of more policymaking and expertise, without addressing the pressing issue of what and where ‘home’ is. The issue is as follows: if, under current conceptions and conditions of home, we have space for something like ‘home-lessness’, then we will never be able to get rid of that thing (‘homelessness’) without tackling the original problem – which is home itself. In the fact that home allows for its negation without altering its fundamental parameters lies the whole issue of what we traditionally conceive as ‘homelessness’. The lack of ‘home’ is very present within, ingrained in, home itself.

Home is an exclusionary act. It is made of walls and doors, which create control and allow the policing of a border. It is made of social relationships based on emotional bonding, which are carved out through exclusion (there is no bonding if there is no exclusion of others). It is constructed, in its material form, thanks to accumulations of capital that, in some form or other, are related to – and contribute to reproduce – systems of oppression. As many have shown, it also has internal exclusions, being filled with unbalanced gendered power relationships and paternalistic modes of breeding. In its most common physical representation – housing – home can quite easily be turned into an exploitative machine, used as a means of capital accumulation that has effects not only on tenants, but also on land values, urban development, and financial markets. It seems as if home is that construct that cuts across multiple dimensions of human life, as a machine that is capable of abstracting from those domains an autonomous function that is then able to reproduce itself in the longer term (it is what Deleuze and Guattari called an ‘abstract machine’). That machine is about extracting one form of existence from the magma of all possibilities, of all possible forms of existence. What I argue is that the possibility of that extraction, the bare primordial functioning of that machine, is carved around the possibility of its negation: home is home because it contains the possibility of not-being-at-home within itself. Home is a full bodied and multidimensional exclusionary act.

So, answering the question of what homelessness might be in 2030, in 3452, in 1861, means investigating the unformed matter that diagrams or sketches out the functioning of the universally accepted, mainstream, homing machine. How can one think of ending homelessness without ending this kind of home?

Further, what home does is more than enabling its negation from within, the creation of home-lessness as a space of existence upon which the whole exclusionary act can be sustained. Home and that negated space of -lessness are productive, because they are not only the site for the (re)production of material and cultural conditions, but also the nexus where subjects are (re)produced. In other words, home-lessness is matter of becoming. It is a non-linear process of subject-formation: one is not born homeless, one does not choose to be homeless, one does not end up being homeless. Everyone, within current systemics of home, endures a process of subject-formation that can be defined of ‘home-less’. The particularity of the socio-technical machines involved mean that even those with a house are not at ‘home’; not fully in-place; not really belonging in the fullest possible way.

The ‘theory’ of homelessness is, for the most part, concerned with making sure that this categorisation is used as a bordering tool to create a minority who are then defined as l’autre, the deviant other. This kind of mainstream normative theory knows nothing of the enduring process of subject-formation that makes home-lessness not an exception, but a true common: our shared experience of not being fully in-place. When mainstream theory speaks of ‘the transition’ from being a ‘normal’ dweller to being an ‘abnormal’ homeless person, it explains it as a matter of stages, of pre-explanatory traumas; it justifies it in terms of linear paths where, at a certain point, something ‘went wrong’ causing ‘homelessness’ to emerge. Cause and effect. But in reality, home-lessness is not a matter of cause and effect. Far from that! Home-lessness is about a process of subject-formation that cuts across sociological categorisations, social groups, classes. Rough sleeping is a traumatic intensification of that process: a dense cusp that is not set apart, but well within a whole pluriverse of intensities of ‘lessness’ that endure above, beyond, before, and after it.

The subject is suddenly kicked out of his or her house. Because s/he wasn’t paying. Because s/he couldn’t cope. Because s/he is ill, sick, addicted. The subject is kicked out of her house and seems to fall in-between. This is a space made of all sorts of relations and objects that the subject was not aware of before, when s/he was living in the fiction of ‘home’: soup kitchens, shelters, begging and the charity of strangers, sidewalks, tents, wet sleeping bags in abandoned buildings, nights, shadows and new fear of violence too. These things are not foreign, totally hidden away, but instead lie in-between a normalised form of everyday life under contemporary capitalism and its expelled version. But once we zoom out and plug into the micropolitics of our shared existences, is there a real distinction between the subject who falls and the one who does not? Is there a real distinction from the subject within and the one without home? I am not denying that there is a traumatic experiential difference, which is a matter of intensities, but there is not more than this. Both subjects never really left home.

Lessness for both starts before getting kicked out. It is beyond, above, before, and after the event of displacement, because it has to do with the substratum of our social lives. It has to do with the answer to the broader question of how we go about life; about how we decide to deal with the power and energy of life in its multiple forms. The power to love, to make connections, to create and destroy, to make ends meet, and more. The way these things are managed and the way they are reproduced is always matter of collective choices, conscious and unconscious in their makings. The mode of reproduction that we have chosen is just one of the ways to go about these things. Under this (capitalist) frame there is an individualistic mould that dominates and regiments all others. From the figure of the successful entrepreneur of the 19th century to contemporary consumer-based arguments about choice and free will, capitalism has (re)produced individualisation as our mainstream mode of assemblage and circulation, meticulously constructing the desire for victory, success, and affirmation into the backbone of each subject. Lessness is one of the substrates that emerges from this, and upon it home is assembled. This is a key assemblage of contemporary life, which is made out of private property; individualised responsibilities and private accountability for ‘failures’; identity construction by exclusion; patriarchy; racialised bordering; and so on.

Home does not sit outside of these relations but is their most evident product, which in turns produces us as home-less: it (re)produces us as subjects in a way that ensures that, being at-home, being-‘OK’ also creates the possibility of our expulsion from that home. This being-OK cuts across the unconscious levels of the skin, the body, the face: it becomes a way of being alive, an entanglement with the codes/axioms brought forward by the capitalistic machine, becoming therefore machinic itself, channelling and reproducing that particular form of exclusion as a normal way of life. The subject at home is far from being free –far from being able to choose and to actuate, far from being allowed the free circulation of will and joy. On the contrary: by accepting the individualisation and commodification of everything (which is the abstract mantra of the capitalistic machine) the subject becomes commodified as well. S/he becomes defined, privatised, wrapped up in opposition to that which is portrayed as less defined, less private: the deviant, the poor, the black body, the ‘homeless’. But again, this is a fictional opposition. When the event of expulsion happens, home-lessness is not generated. It simply re-asserted, intensifying the exclusionary status upon which the norm, is built. That is the shared substratum of -lessness, where life is codified on the basis of home’s possible absence. This is the substratum upon which we have assembled that thing we call home.

Like theories, policies know nothing of the way in which home-lessness is at the core of the homing game. They are built around a false compartmentalisation. They aim to tackle the ‘homeless’ subject as if that subject exists in a domain distinct from that of normality, from that of mainstream, shared functions of home. This is perfectly coherent under current conditions, because it maintains a false distinction that is required for policies – and experts – to maintain their role (as Foucault so clearly argued). Expertise and interventions are designed to isolate and manage, and through that act of isolation and management – through detachment – they are able to reproduce themselves and their function. Policies can, of course, vary greatly in their immediate effects, which can range from outright annihilation to compassion and care. But ultimately, they all fail in recognising the impossibility of tackling ‘homelessness’ and the ‘homeless’ subject as a defined, distinct, element in a wider social plane. That’s because – once again – there is no distinction to start with. Homeless people do not exist. Once we realise that everyone is part of and a producer of a shared way of life, we can recognise that homelessness lies right at the core of the current home we choose to embrace and inhabit.

PAAVO should be celebrated for its capacity to reduce the intensities of lessness. Few programs have achieved so much in terms of restoring forms of ontological security to so many people. Those interested in the short-term alleviation of the symptoms of home-lessness should take inspiration. But PAAVO, and other initiatives (such as Housing First in many other contexts worldwide), will not end home-lessness. Not now, nor by 2030. To tackle home-lessness requires a radical critique of the function of lessness, and then the imaginative labor of reinventing home. We need a new home, based around solidarity, affective care, horizontally shared responsibilities, redistributed means – and more. Only then will we reach a point where home does not include, within its own definition, the possibility of its annihilation. We must move beyond mere shelter, deep into the socio-economic and cultural making of being in the world together, as a true collective being. As anarchist and feminist literature shows, these alternatives makings are possible. An entirely new home needs to be assembled, starting from the radical undoing of the current one.

Screening and debate on right to housing in l’Aquila, Italy

I am happy to be part of the Festival della Participazione, a long-standing festival concerned with civic participation, critical readings of democracy and public debate. The festival takes place each year in L’Aquila, not far from Rome, where the Gran Sasso Science Institute, with its excellent Urban Studies Faculty, is located.

On Saturday 13/10 I’ll discuss #eviction #housing #resistance with a number of excellent Italian colleagues, including Francesco Chiodelli, Margherita Zippata and Alessandro Coppola. The debate will start off from the projection of my documentary film around evictions and the fight for the right to housing in Bucharest, A inceput ploaia/It started raining. The film is available for free at www.ainceputploaia.com 

New project: Antipode Scholar-Activist Award

Thanks to The Antipode Foundation for awarding the Antipode Scholar-Activist Award to Erin MC ELVeda PopoviciNicoleta NicoIoana FloreaCaro Linaand myself, for our project “How the Roma are fighting back: A diary and guide for resistance against restitutions and forced evictions.” (https://antipodefoundation.org/…/sapa-and-iwa-2018-recipie…/)

The project aims to produce a grassroot diary and guide (in Romanian and English) to inspire resistance and organising in Roma communities facing forced evictions in Eastern Europe and beyond. The multimedia publication will include a printed book (history, diary and guide), and a series of online interactive web-maps. The printed book will be based around the diary of an evicted Roma woman and activist, contextualised through the intersectional history of housing struggles in the country. Because of our activist networks, the volume will be used in workshops with communities facing evictions in Romania and Europe. The project final goal is to increase the level of politicisation and awareness of racially dispossessed Roma communities, thereby enabling future resistance against displacement.

The project continues the activist work that we have been carried in Bucharest in the past few years, together with comrades of the Frontul Comun pentru Dreptul la Locuire. It also resonates with the fights portrayed in my documentary film A Inceput Ploaia/It started raining (available at www.ainceputploaia.com) as well as with scholarly work that I’ve published in EPD: Society and Space and more produced by Erin, Iox and many others!

I am very excited about this Award – thanks again to the foundation. You’ll hear from us soon!

We were striking for pensions, we will be striking even more for our union

Together with many of my colleagues across USP and the Urban Institute, I have been striking for almost two weeks, to defend our pensions against its complete neoliberalisation (here info on the rationale of the action). I also decided to strike to fight for our Union – UCU. This latter point is of particular importance to me. If my pension will probably evaporate anyway because of Brexit (I intend to go back to Italy at some point, and at that point my pension will be taxed like a ‘foreign capital’), preserving a strong Union remains very important in today’s context, where everything becomes increasingly privatised and individualised.

During the pickets organised at the UI building, ICOSS, I shared the ground with some amazing people who, with their bodily politics, reminded me of the importance of collective actions and struggles. What we – Andy, Vicky, Jon, Martin, Tom, Nick and many others – did there, under the snow and the rain, was grounded in an horizontal solidarity that needs to be preserved and fostered further. Striking for our union is both about UCU and, more importantly, about that being together, that feeling that we are more of our individualised subjectivity. That we are and we can be a collective intellectual body, with a clear politics and orientation.

Strike action for the pension will continue. I hope that more colleagues will join, to make us, all of us, stronger and more unite. Avanti!

Below some pictures of one of the marches that we organised in Sheffield, with the amazing support of our students.

Radical Housing Journal – first Call for Papers

 

 

I am, together with a collective of 14 people spread around the world, launching the first call for papers for a new publication called the Radical Housing Journal. This is a horizontally managed, feminist and anti-racist publication aimed at academics and activists working around the fight for the right to housing worldwide. The CfP is reported below attached and you can read our manifesto at www.radicalhousingjournal.org

Please share this information with your colleagues and with non-academic activists that may be interested in this project. We are looking for 500 words abstracts by the 5th of March and that contributions are paid for and peer-reviewed.

 

RHJ – Call for Papers Issue 1

The RHJ is an orientation, a praxis for doing research and action. It seeks to critically intervene in pre and post-crisis housing experiences and activist strategies from around the world without being confined to the strict dogmatism of academic knowledge production. Check out our Manifesto at www.radicalhousingjournal.org.

500 words abstract by the 5th of March 2018 at collective@radicalhousingjournal.org

All contributors will receive a compensation for their work (£50 per article)

The first issue of the RHJ will focus on practices and theories of organising around housing struggles that have emerged post-2008. Conscious of the fact that the 2008 crisis did not impact in the same way everywhere, we invite contributions addressing how, in the last ten years, organising and activism have changed both locally and globally. What did that crisis bring to the fore and how have activists worldwide responded to it? How do those responses relate to older mobilizations, and what emerges as different? How can resistance be theorized today, and what can theory do for the future of housing struggles? We invite theoretical and empirical pieces, focusing on specific cases or speculative in nature.
 

The RHJ is structured around four sections.

The first two host substantive original works and are blind peer reviewed (by one academic and one activist non-academic).  The other two – conversations and updates – are not peer-reviewed.

The long read  / Focus on critical analysis and theory-making

MAX 8,000 words per article, including references, excluding pictures

We welcome papers on theorising resistance and activism in the post-2008 worldwide, being they driven by speculative, case-specific or comparative arguments. Papers should aim for theoretical innovation and conceptual finesse.

Retrospectives  / Focus on specific cases, histories, actions

MAX 8,000 words per article, including references, excluding pictures

This section welcomes papers that are oriented at reconstructing, in details, particular histories of movements, organisations and/or actions in the post-2008 scenario worldwide.  Paper should aim for historical rigour and depth.

Conversations  / Reflections from the field of action and organisation

MAX 6,000 words per intervention

Debate-like pieces, written collectively, to reflect on specific actions and strategies. We welcome reflection on the challenges of particular organising approaches and practices.

Updates  / Reviews, provocations, updates on actions

MAX 1,500 words per text

We welcome reviews of books, films & more; and updates on current actions.

 

Deadline for 500 words abstracts: 5th of March 2018

Response to authors: by mid-March 2018 // First draft of papers by: 2nd July 2018

In a .docx file, write your name, institution or group affiliation, email, title, 500 words abstract, six keywords and submit to  collective@radicalhousingjournal.org

Against the financialisation of housing: protests and workshops in Bucharest (5-6 October)

As part of a European campaign promoted by the European Action Coalition aimed at raising awareness around the financialisation of housing, the Frontul Comun Pentru Drept la Locuire (of which I am part) has organised two days of activities on the 5th and 6th of October in Bucharest, Romania. These includes the launch of a national coalition for the right to housing and the city (on the 5th) as well as a public protest (on the 6th) and a three-hours workshop that I will run (always on the 6th).

The workshop is entitled ‘Visual Ethnography for Radical Action‘. In it, I will critically illustrate the making of ‘A inceput ploaia‘, a 72 minutes documentary around the fight for housing in Bucharest, in order to provide an introduction to the use of visual ethnography as a tool for radical action. In the first part of the workshop, issues of positionality, methodology and co-production of knowledge will be illustrated and discussed. In the second part, I will offer an overview of the main challenges associated with visual anthropology, both theoretically and practically. Groups will be organised and participants will be asked to perform a series of exercises around the making of visual analysis and the production of alternative visual representation of marginalised groups. Lastly, the third part of the workshop will consist in group works revolving around the opportunities of visual methods as a tool for radical action in Bucharest and elsewhere in Romania.

To take part in it, please send an email at fcdloc@gmail.com. Clicking on the image below you can download a flyer summarising the content of this workshop. All welcome!