New paper in EPD with Simone

With my brother AbdouMaliq we recently published a paper in EPD: Society & Space, titled: “Dispossessed exposures. Housing and regimes of the visible

You can download it here: https://journals.sagepub.com/doi/full/10.1177/02637758241274636

Abstract

Literatures and organising show us how, in contemporary racial financial capitalism, housing is formed through dispossessive histories and geographies. Here, we query how these enter into play in the visual regimes through which housing is seen and experienced. For if the visual realm is as much a construct as any other housing matter, finding a grammar to tap into its workings might become handy when its violent outcomes come to the fore. What is reproduced in the visual regimes of housing? What is offered and taken anyway? What might never be seen, and by whom? The article offers a tentative analytical approach to questioning what we call dispossessed exposures: the (en)visioning of homely futures that are deprived, already in the social construct of seeing with the house, the possibility of radical care for and of habitation. These ideas are unpacked through reflection on two films: Ladj Ly’s Les Misérables and Fanny Liatard and Jérémy Trouihl’s Gagarine. We offer these reasonings as a contribution to ongoing conversations in the renewed field of housing justice scholarship.

Radical Housing Justice Within and Beyond Caring @Antipode

Here is a short commentary I wrote on a terrific special issue curated by Desiree Fields, Emma Power and Kenton Card on #housing #movements and #care

“Radical Housing Justice Within and Beyond Caring”

https://onlinelibrary.wiley.com/doi/10.1111/anti.12958

The issue contains insightful papers on radical Black organising for housing justice by Jessi Quizar, Akira Drake Rodriguez, Samantha Thompson, Brandi T. Summers and Desiree Fields.

The chronotopes of change @ EGOS 2012

4 July, 2012 – 7 July, 2012 @ Aalto University & Hanken School of Economics, Helsinki, Finland – EGOS 2012, Design?!

I will present a paper (written with Stewart Clegg):

“The chronotopes of change: Actor-networks in a changing Business School”

This paper investigates the process through which the UTS Business School is re-shaping its identity through a process that includes, but is not limited to, the building of a new facility designed by the Canadian architect Frank Gehry (the Dr Chau Chak Wing building), as well as a major revision of the teaching programs. By investigating this project in an Actor-Network Theory fashion, and introducing the notion of chronotope, the paper answers three central questions related to the notion of change: How does organizational change happen in the daily life of a project? What gives unity to a chain of small relational changes? How can processual change possibly be managed? Theoretically, the paper argues that change emerges in the micro-dynamics of organizing, fragments that are sticked together by macro-dominant narratives, in a constant process of translations that occur between human and non-human actants. Moreover, the paper concludes by advancing a particular take on the management of change, which can be pursued only through a constant micro-politics of network maintenance and enactment.

More on my research on the Dr Chau Chak Wing project, here.